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Open peer commentary on the article “Body Awareness to Recognize Feelings: The Exploration of a Musical Emotional Experience” by Alejandra Vásquez-Rosati. Upshot: A complete account of musical emotions implies examining how factors in the music, the situation, and the person interact, producing objective and subjective changes on affective, bodily and cognitive levels simultaneously. Therefore, a first-person phenomenological method can only provide a limited understanding of these experiences.
Cespedes-Guevara J. (2017) Musical emotions emerge from the interaction of factors in the music, the person, and the context. Constructivist Foundations 12(2): 229–231. http://constructivist.info/12/2/229
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