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Abstract
Open peer commentary on the article “Audience and Eigenform: Cybersemiotic Epistemology and the “Truth of the Human Spirit” in Performance” by Tom Scholte. Upshot: Scholte’s counterintuitive use of the arts as laboratories of perceptual inquiry investigates meaning, language and formation of perceptual systems. Theory of Logical Types offers one way of understanding the power of theatre as a tool revealing the contextual organizing structures of perception.
Citation
Christy Jr. L. F. (2017) Performance as an epistemological tool describing the envelope of perception. Constructivist Foundations 12(3): 331–332. http://constructivist.info/12/3/331
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