Volume 17 · Number 1 · Pages 088–091
Orders of Autopoiesis and “Lifeness” as the Biological Spectacle of Control

Tom Scholte

Log in to download the full text for free

> Citation > Similar > References > Add Comment

Abstract

Open peer commentary on the article “From Liveness to “Lifeness”: Autopoiesis and an Enactive View of Performance” by Maiya Murphy. Abstract: Descriptions of theatre events as autopoietic are more productively grounded in Luhmann’s theory of social systems rather than in Maturana and Varela’s original biological conception. The sense of “lifeness” resonating within audiences of all styles of theatrical performance is directly correlated to the type of spectacle produced by the observed relationship between this social autopoiesis and the engagement of biologically autopoietic performers in the closed-loop control activity through which it is catalyzed.

Citation

Scholte T. (2021) Orders of autopoiesis and “lifeness” as the biological spectacle of control. Constructivist Foundations 17(1): 088–091. https://constructivist.info/17/1/088

Export article citation data: Plain Text · BibTex · EndNote · Reference Manager (RIS)

References

Bilgrave D. P. & Deluty R. H. (2004) Stanislavski’s acting method and control theory: Commonalities across time, place, and field. Social Behavior and Personality 32(4): 329–340. ▸︎ Google︎ Scholar
Luhmann N. (1995) Social systems. Translated by John Bednarz Jr. Stanford University Press, Stanford CA. German original published in 1984. ▸︎ Google︎ Scholar
Luhmann N. (2000) Art as a social system. Translated by Eva M. Knodt. Stanford University Press, Stanford CA. German original published in 1995. ▸︎ Google︎ Scholar
Porr B. (2016) “Truthful” acting emerges through forward model development. Constructivist Foundations 11(3): 612–613. https://constructivist.info/11/3/612
Powers W. T. (2005) Behavior: The control of perception. Revised and expanded second edition. Benchmark Publications, Bloomfield NJ. Originally published in 1973. ▸︎ Google︎ Scholar
Scholte T. (2015) Proto-cybernetics in the Stanislavski system of acting: Past foundations, present analyses and future prospects. Kybernetes 44(8/9): 1371–1379. https://cepa.info/7371
Stanislavski K. (2008) An actor’s work: A student’s diary. Translated by Jean Benedetti. Routledge, London. ▸︎ Google︎ Scholar

Comments: 0

To stay informed about comments to this publication and post comments yourself, please log in first.